I have heard the mermaids singing, each to each.

I do not think they will sing to me.

Kurt Vonnegut’s Rules for the Short Story

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

2. Give the reader at least one character he or she can root for.

3. Every character should want something, even if it is only a glass of water.

4. Every sentence must do one of two things–reveal character or advance the action.

5. Start as close to the end as possible.

6. Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them–in order that the reader may see what they are made of.

7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

via advicetowriters.com (via kadrey)

Good suggestions. (There are no rules.)

(via neil-gaiman)

You know that you’re too high…

…when it takes you a while to decide if you should put your pineapple down or swat the flying insect that is violating your ear.

I want to make pancakes.
I am going to make pancakes.

Two Neil Gaiman poems from “Fragile Things”

The Hidden Chamber

Do not fear the ghosts in this house; they
     are the least of your worries.
Personally I find the noises they make reassuring,
The creaks and footsteps in the night,
their little tricks of hiding things, or moving them, I find
endearing, not upsettling. It makes the place
     feel so much more like home.
Inhabited.
Apart from ghosts nothing lives here for long. No cats,
no mice, no flies, no dreams, no bats. Two days ago
I saw a butterfly,
a monarch I believe, which danced from room to room
and perched on walls and waited near to me.
There are no flowers in this empty place,
and, scared the butterfly would starve,
     I forced a window wide,
cupped my two hands around her fluttering self,
feeling her wings kiss my palms so gentle,
and put her out, and watched her fly away.

I’ve little patience with the seasons here, but
your arrival eased this winter’s chill.
Please, wander round. Explore it all you wish.
I’ve broken with tradition on some points. If there is
one locked room here, you’ll never know. You’ll not find
in the cellar’s fireplace old bones or
     hair. You’ll find no blood.
Regard:
just tools, a washing machine, a dryer, a
     water heater, and a chain of keys.
Nothing that can alarm you. Nothing dark.

I may be grim, perhaps, but only just as grim
as any man who suffered such affairs. Misfortune,
carelessness or pain, what matters is the loss. You’ll see
the heartbreak linger in my eyes, and dream
of making me forget what came before you walked
into the hallway of this house. Bringing a little summer
in your glances, and with your smile.

While you are here, of course, you will hear
     the ghosts, always a room away,
and you may wake beside me in the night,
knowing that there’s a space without a door
knowing that there’s a place that’s locked
     but isn’t there. Hearing
them scuffle, echo, thump and pound.

If you are wise you’ll run into the night,
     fluttering away into the cold
wearing pherhaps the laciest of shifts.
     The lane’s hard flints
will cut your feet all bloody as you run,
so, if I wished, I could just follow you,
tasting the blood and oceans of your
     tears. I’ll wait instead,
here in my private place, and soon I’ll put
a candle
in the window, love, to light your way back home.
The world flutters like insects. I think this
     is how I shall remember you,
my head between the white swell of your breast,
listening to the chambers of your heart.
__________________________________________________

Instructions

Touch the wooden gate in the wall you never saw before
Say “please” before you open the latch,
go through,
walk down the path.
A red metal imp hangs from the
     green-painted front door,
as a knocker,
do not touch it; it will bite your fingers.
Walk through the house. Take nothing. Eat nothing.
However,
if any creature tells you that it hungers,
feed it.
If it tells you that it is dirty,
clean it.
If it cries to you that it hurts,
ease its pain.

From the back garden you will be able to see the wild wood.
The deep well you walk past leads down to Winter’s realm;
there is another land at the bottom of it.
If you turn around here,
you can walk back, safely;
you will lose no face. I will think no less of you.

Once through the garden you will be in the wood.
The trees are old. Eyes peer from the undergrowth.
Beneath a twisted oak sits an old woman.
     She may ask for something;
give it to her. She
will point the way to the castle. Inside it
are three princesses.
Do not trust the youngest. Walk on.
In the clearing beyong the castle the
     twelve months sit about a fire,
warming their feet, exchanging tales.
They may do favors for you, if you are polite.
You may pick strawberries in December’s frost.

Trust the wolves, but do not tell them
     where you are going.
The river can be crossed by the ferry.
     The ferryman will take you.
(The answer to his question is this:
If he hands the oar to his passenger, he
     will be free to leave the boat.
Only tell him this from a safe distance.)

If the eagle gives you a feather, keep it safe.
Remember: that giants sleep too soundly; that
witches are often betrayed by their appetites;
dragons have one soft spot, somewhere, always;
hearts can be well-hidden,
and you betray them with your tongue.

Do not be jealous of your sister:
know that diamonds and roses
are as uncomfortable when they tumble
     from one’s lips as toads and frogs:
colder, too, and sharper, and they cut.

Remember your name.
Do not lose hope- what you seek will be found.
Trust ghosts. Trust those that you have
     helped to help you in their turn.
Trust dreams.
Trust your heart, and trust your story.

When you come back, return the way you came.
Favors will be returned, debts be repaid.
Do not forget you manners.
Do not look back.
Ride the wise eagle (you shall not fall)
Ride the silver fish (you will not drown)
Ride the gray wolf (hold tightly to his fur).

There is a worm at the heart of the tower;
     that is why it will not stand.

When you reach the little house, the
     place your journey started,
you will recognize it, although it will seem
     much smaller than you remember.
Walk up the path, and through the garden
     gate you never saw before but once.
And then go home. Or make a home.

Or rest.

Neil Gaiman is such an excellent poet. His short stories are also very interesting, but I feel like they lack substantial conclusions, which drives me insane. He does, however, manage to use to perfect word in every situation, which makes his writing feel very organic.

Also, according to a 9gag post, I am Gomer, The Beautiful Sloth. I just thought you should know.

One day…

…when I say that I am letting go of something, I will, and I won’t turn back.